Cave Canem » Blog Archive » Welcoming Stephanie George as Development Manager

Welcoming Stephanie George as Development Manager

We are so excited to welcome Stephanie George as Development Manager here at Cave Canem!

Stephanie George is a storyteller, curator, and grassroots fundraiser, from the Bronx, NY. She has built a career as a cultural worker at MoCADA, the Hank Willis Thomas Studio/ Cause Collective, Harlem Stage, and recently at Materials for the Arts. Her debut public art exhibition “SELFiE” (2015) was featured in Huffington Post, Salon, and Ebony Magazine. When not fundraising, Stephanie has provided dramaturgy and direction to film, dance, theatre, and poetry projects, including Esperance Theatre Company’s “Breitwisch Farm,” J. Bouey’s “Chiron in Leo,” and Jordan Lloyd’s “Last Moon in Mellowland.” With frequent collaborator Benedict Nguyễn, she’s collaborated on the curatorial platform soft bodies in hard places and co-founded The Nerve Studio. She has contributed to projects presented at AAWW, BAAD!, Brooklyn Museum, CPR, ISSUE Project Room, Pepatián, and Recess. As a poet, Stephanie delights in returning to her poetry to create spaces that grapple with notions of home, belonging, and remembering.

In Stephanie’s own words: “I am thrilled to join Cave Canem at this critical moment of expansion. Since the beginning of my career, I have learned that in order to champion Black artists, it is essential to support the ecosystems and networks that nourish them. I am excited to further Cave Canem’s exciting fundraising efforts to ensure that Black poets continue to have a home that uplifts their voices. Cave Canem has been necessary to my growth as a Black artist and poet, and I’m honored to join this dynamic team to help elevate Black artists pushing the boundaries of expression and language.”

Join us in welcoming Stephanie to the Cave Canem team!

“There is nothing like being seen by the eyes of those who, without explanation, understand why you do what you do when you do it. There is nothing like not having to decode or apologize for the sweet pleasure of a word or phrase that will not let loose of your ear.”

Nikky Finney, The Ringing Ear: Black Poets Lean South

2015-11-26T15:29:19-05:00

Nikky Finney, The Ringing Ear: Black Poets Lean South

“There is nothing like being seen by the eyes of those who, without explanation, understand why you do what you do when you do it. There is nothing like not having to decode or apologize for the sweet pleasure of a word or phrase that will not let loose of your ear.”

https://cavecanempoets.org/testimonials/nikky-finney-the-ringing-ear-black-poets-lean-south/

“Cave Canem is a kind of heaven, yes. It’s not just that we are speaking to each other there as black people; it’s that we’ve lived the lives of black poets. We’ve faced the fears, the hurts, and we’re still poets. To undertake and stay with this task, usually so unrewarded, creates a kind of strength and compassion that is enormous.”

Toi Derricotte

2015-11-26T15:31:58-05:00

Toi Derricotte

“Cave Canem is a kind of heaven, yes. It’s not just that we are speaking to each other there as black people; it’s that we’ve lived the lives of black poets. We’ve faced the fears, the hurts, and we’re still poets. To undertake and stay with this task, usually so unrewarded, creates a kind of strength and compassion that is enormous.”

https://cavecanempoets.org/testimonials/toi-derricotte/

“Back in 2000 when I was first accepted at Cave Canem, I was working part-time at a bookstore making less than $7 an hour. The scholarship I received was the only reason I was able to attend, and it changed my writing life by introducing me to mentors like Toi Derricotte and Nikky Finney and eventually connecting me to the editor who published my first book. Please consider changing another poet's life by supporting Cave Canem financially.”

Traci Dant, Fellow

2015-11-26T15:44:16-05:00

Traci Dant, Fellow

“Back in 2000 when I was first accepted at Cave Canem, I was working part-time at a bookstore making less than $7 an hour. The scholarship I received was the only reason I was able to attend, and it changed my writing life by introducing me to mentors like Toi Derricotte and Nikky Finney and eventually connecting me to the editor who published my first book. Please consider changing another poet's life by supporting Cave Canem financially.”

https://cavecanempoets.org/testimonials/284/

“While I can't even begin to measure Cave Canem's value to me personally (community, friendship, rigor), we all can see the radical movement it’s occasioned in American poetry. To be plain: it's changed—and is changing—the face(s) of our literary landscape. How often in our lives will we be able to participate in something as important and beautiful? It's a joy to support this."

Ross Gay, Fellow

2015-11-26T15:44:48-05:00

Ross Gay, Fellow

“While I can't even begin to measure Cave Canem's value to me personally (community, friendship, rigor), we all can see the radical movement it’s occasioned in American poetry. To be plain: it's changed—and is changing—the face(s) of our literary landscape. How often in our lives will we be able to participate in something as important and beautiful? It's a joy to support this."

https://cavecanempoets.org/testimonials/285/

“By the time I leave a CC Retreat, I can feel that the internal imperative to Write! has shifted from an obsessive, isolating quality to one of deep communal rites and responsibilities – what healthier transition exists for an artist?

Geffrey Davis

2015-11-26T15:51:22-05:00

Geffrey Davis

“By the time I leave a CC Retreat, I can feel that the internal imperative to Write! has shifted from an obsessive, isolating quality to one of deep communal rites and responsibilities – what healthier transition exists for an artist?

https://cavecanempoets.org/testimonials/geffrey-davis/