Cave Canem » Blog Archive » Parker , Morgan

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Morgan Parker

Website
Years: 2012

Biography

Morgan Parker received her BA in Creative Writing and Anthropology from Columbia University and her MFA in poetry from NYU. Her work has been featured or is forthcoming in numerous publications, including Painted Bride Quarterly, PANK, Forklift, Ohio, Vinyl Poetry, and the anthology Why I Am Not A Painter, published by Argos Books. In 2013, she was a finalist for The Poetry Project's Emerge-Surface-Be Fellowship. A Cave Canem fellow, Morgan lives with her dog Braeburn in Brooklyn, where she is Education Director at the Museum of Contemporary African Diasporan Arts (MoCADA).

Poem

Morgan What, Morgan Who?

“Do not bark up that tree. That tree will fall on you.” –Jay-Z

Yes and I am

dreading the New Year

I say to my mother

on Christmas when she asks

if I am really

that bitter. I spit

at the nickname

you hand me—a kink

in vinyl where

needle sticks

and repeats between

my legs. Leaving my lips

you’re cheap liquor

lusty and sad

over my blueprint.

Peep all these inches

left un-bruised, crowned

with dried leaves

and spilling

out of my shirt.

I have an appetite, make

lightposts go down when you

call me baby. Baby, don’t

forget who’s quitting who,

who is harvested

and who sows.

Careful with that

face of yours: you know

this weather

is my fault.

Trains get lost, roads flood

worry and charcoal.

Motherfuckers

better duck.

“By the time I leave a CC Retreat, I can feel that the internal imperative to Write! has shifted from an obsessive, isolating quality to one of deep communal rites and responsibilities – what healthier transition exists for an artist?

Geffrey Davis

2015-11-26T15:51:22-04:00

Geffrey Davis

“By the time I leave a CC Retreat, I can feel that the internal imperative to Write! has shifted from an obsessive, isolating quality to one of deep communal rites and responsibilities – what healthier transition exists for an artist?

https://cavecanempoets.org/testimonials/geffrey-davis/

“There is nothing like being seen by the eyes of those who, without explanation, understand why you do what you do when you do it. There is nothing like not having to decode or apologize for the sweet pleasure of a word or phrase that will not let loose of your ear.”

Nikky Finney, The Ringing Ear: Black Poets Lean South

2015-11-26T15:29:19-04:00

Nikky Finney, The Ringing Ear: Black Poets Lean South

“There is nothing like being seen by the eyes of those who, without explanation, understand why you do what you do when you do it. There is nothing like not having to decode or apologize for the sweet pleasure of a word or phrase that will not let loose of your ear.”

https://cavecanempoets.org/testimonials/nikky-finney-the-ringing-ear-black-poets-lean-south/

“While I can't even begin to measure Cave Canem's value to me personally (community, friendship, rigor), we all can see the radical movement it’s occasioned in American poetry. To be plain: it's changed—and is changing—the face(s) of our literary landscape. How often in our lives will we be able to participate in something as important and beautiful? It's a joy to support this."

Ross Gay, Fellow

2015-11-26T15:44:48-04:00

Ross Gay, Fellow

“While I can't even begin to measure Cave Canem's value to me personally (community, friendship, rigor), we all can see the radical movement it’s occasioned in American poetry. To be plain: it's changed—and is changing—the face(s) of our literary landscape. How often in our lives will we be able to participate in something as important and beautiful? It's a joy to support this."

https://cavecanempoets.org/testimonials/285/

“Cave Canem is a kind of heaven, yes. It’s not just that we are speaking to each other there as black people; it’s that we’ve lived the lives of black poets. We’ve faced the fears, the hurts, and we’re still poets. To undertake and stay with this task, usually so unrewarded, creates a kind of strength and compassion that is enormous.”

Toi Derricotte

2015-11-26T15:31:58-04:00

Toi Derricotte

“Cave Canem is a kind of heaven, yes. It’s not just that we are speaking to each other there as black people; it’s that we’ve lived the lives of black poets. We’ve faced the fears, the hurts, and we’re still poets. To undertake and stay with this task, usually so unrewarded, creates a kind of strength and compassion that is enormous.”

https://cavecanempoets.org/testimonials/toi-derricotte/

“Back in 2000 when I was first accepted at Cave Canem, I was working part-time at a bookstore making less than $7 an hour. The scholarship I received was the only reason I was able to attend, and it changed my writing life by introducing me to mentors like Toi Derricotte and Nikky Finney and eventually connecting me to the editor who published my first book. Please consider changing another poet's life by supporting Cave Canem financially.”

Traci Dant, Fellow

2015-11-26T15:44:16-04:00

Traci Dant, Fellow

“Back in 2000 when I was first accepted at Cave Canem, I was working part-time at a bookstore making less than $7 an hour. The scholarship I received was the only reason I was able to attend, and it changed my writing life by introducing me to mentors like Toi Derricotte and Nikky Finney and eventually connecting me to the editor who published my first book. Please consider changing another poet's life by supporting Cave Canem financially.”

https://cavecanempoets.org/testimonials/284/