Cave Canem » Blog Archive » King , Alan

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Alan Winston King

Website
Years: 2007, 2009

Biography

“A fixture on the D.C. MD VA scene since 1999, Alan has at one time blessed every Open Mic spot throughout the area. Mangoes, he was there; Brookland Cup Of Dreams, he was there. The “first” Java Head Cafe in College Park, he was there. The first Mocha Hut on 14th St, he was there. Yogi’s Records, he was there; Harambe’s in Adams Morgan, he was there. Teaism, he was there; and Bar Nun, he was there. This cat is a walking history book of D.C. poetry. Not only that, he’s a dynamic performer and prolific writer” — Derrick Weston Brown, poet-in-resident at the 14th and V streets Busboys and Poets.

Alan’s poems have appeared in Audience, Alehouse, Beltway Poetry Quarterly, Boxcar Review, and MiPoesias, among others. When the Cave Canem fellow and Vona Alum is not sending out poems to numerous journals, he’s chasing the muse through Washington, D.C. — people watching with his boys and laughing at the crazy things strangers say to get close to one another.

Poem

Sport

Overhearing two guys in line

at Cluck U Chicken, daring each other

to order buffalo wings with 9-1-1 sauce

they’ll have to sign a waiver form for,

I can’t help but think how little we’ve seemed

to evolve from what once hunted with

throwing spears and settled their disputes

with a test of strength, or how testosterone

sometimes gangs up with other male hormones

and forms a militia to overthrow

the dictator, Common Sense. If this were

the 3rd Century, maybe the guys' antics

would entertain a crowd in the Roman Republic,

both of them swinging their spiked battle flails

and swords at each other, or at something

much higher up on the food chain.

When I watch the news of young boys killing

one another on the streets, it’s hard not to see

manhood as a Coliseum, where the condemned

and marginalized come to risk it all for a kind

of redemption; hard not to feel someone’s

laughing, jeering, and calling for blood.

“By the time I leave a CC Retreat, I can feel that the internal imperative to Write! has shifted from an obsessive, isolating quality to one of deep communal rites and responsibilities – what healthier transition exists for an artist?

Geffrey Davis

2015-11-26T15:51:22-04:00

Geffrey Davis

“By the time I leave a CC Retreat, I can feel that the internal imperative to Write! has shifted from an obsessive, isolating quality to one of deep communal rites and responsibilities – what healthier transition exists for an artist?

https://cavecanempoets.org/testimonials/geffrey-davis/

“There is nothing like being seen by the eyes of those who, without explanation, understand why you do what you do when you do it. There is nothing like not having to decode or apologize for the sweet pleasure of a word or phrase that will not let loose of your ear.”

Nikky Finney, The Ringing Ear: Black Poets Lean South

2015-11-26T15:29:19-04:00

Nikky Finney, The Ringing Ear: Black Poets Lean South

“There is nothing like being seen by the eyes of those who, without explanation, understand why you do what you do when you do it. There is nothing like not having to decode or apologize for the sweet pleasure of a word or phrase that will not let loose of your ear.”

https://cavecanempoets.org/testimonials/nikky-finney-the-ringing-ear-black-poets-lean-south/

“While I can't even begin to measure Cave Canem's value to me personally (community, friendship, rigor), we all can see the radical movement it’s occasioned in American poetry. To be plain: it's changed—and is changing—the face(s) of our literary landscape. How often in our lives will we be able to participate in something as important and beautiful? It's a joy to support this."

Ross Gay, Fellow

2015-11-26T15:44:48-04:00

Ross Gay, Fellow

“While I can't even begin to measure Cave Canem's value to me personally (community, friendship, rigor), we all can see the radical movement it’s occasioned in American poetry. To be plain: it's changed—and is changing—the face(s) of our literary landscape. How often in our lives will we be able to participate in something as important and beautiful? It's a joy to support this."

https://cavecanempoets.org/testimonials/285/

“Cave Canem is a kind of heaven, yes. It’s not just that we are speaking to each other there as black people; it’s that we’ve lived the lives of black poets. We’ve faced the fears, the hurts, and we’re still poets. To undertake and stay with this task, usually so unrewarded, creates a kind of strength and compassion that is enormous.”

Toi Derricotte

2015-11-26T15:31:58-04:00

Toi Derricotte

“Cave Canem is a kind of heaven, yes. It’s not just that we are speaking to each other there as black people; it’s that we’ve lived the lives of black poets. We’ve faced the fears, the hurts, and we’re still poets. To undertake and stay with this task, usually so unrewarded, creates a kind of strength and compassion that is enormous.”

https://cavecanempoets.org/testimonials/toi-derricotte/

“Back in 2000 when I was first accepted at Cave Canem, I was working part-time at a bookstore making less than $7 an hour. The scholarship I received was the only reason I was able to attend, and it changed my writing life by introducing me to mentors like Toi Derricotte and Nikky Finney and eventually connecting me to the editor who published my first book. Please consider changing another poet's life by supporting Cave Canem financially.”

Traci Dant, Fellow

2015-11-26T15:44:16-04:00

Traci Dant, Fellow

“Back in 2000 when I was first accepted at Cave Canem, I was working part-time at a bookstore making less than $7 an hour. The scholarship I received was the only reason I was able to attend, and it changed my writing life by introducing me to mentors like Toi Derricotte and Nikky Finney and eventually connecting me to the editor who published my first book. Please consider changing another poet's life by supporting Cave Canem financially.”

https://cavecanempoets.org/testimonials/284/