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Gustavo Adolfo Aybar

Website
Years: 2011

Biography

^{Gustavo Adolfo Aybar is a graduate of the University of Missouri-Kansas City where he received his MA in Romance Languages & Literature. As a scholar he’s presented at the University of Florida, and has upcoming publications by ABC-CLIO and Salem Press. He is a Cave Canem fellow, and as a member of the Latino Writer's Collective, his work can be found in their anthology,}^{Primera Pagina}^{: Poetry from the Latino Heartland}^{(Scapegoat Press, 2008). Other publications include:}^{Harvest of New Millennium}^{3.1 & 4.1; Black Magnolias Literary Journal, Jan. 2010; NINE: A Journal of Baseball History & Culture 19-1 Fall 2010; Oranges & Sardines Dec. 2009; and presentmagazine.com where he was a Poet-In-Residence all of 2010. For access to more information, poetry and videos visit}^{www.gustavoadolfoaybar.com}^.

Poem

The Only Thing I Have

For my grandfather Jose Francisco Aybar

And this is how I remember him:

with a business card plus two pictures,

which I place side by side, next to my own.

With slick black hair, mine curls into question marks;

thick, full eye brows; a rounded chin like lemon rind;

with lips like cracks creeping into the wall

of his mouth and a suggested smile

also like mine—through eyes dizzied with love

and imperfections.

The similarities melt into something

undiscovered and unknown.

The card: Mecánico Perito en Reparaciones

de Maquinas de Coser, indicates a life seasoned

by levers, foot controls and the wild buzz

of needles. The work is guaranteed, unlike

the card. It will never guess it is a broken promise.

It will never know

it is the only thing I have that he has touched.

“By the time I leave a CC Retreat, I can feel that the internal imperative to Write! has shifted from an obsessive, isolating quality to one of deep communal rites and responsibilities – what healthier transition exists for an artist?

Geffrey Davis

2015-11-26T15:51:22+00:00

Geffrey Davis

“By the time I leave a CC Retreat, I can feel that the internal imperative to Write! has shifted from an obsessive, isolating quality to one of deep communal rites and responsibilities – what healthier transition exists for an artist?

https://cavecanempoets.org/testimonials/geffrey-davis/

“There is nothing like being seen by the eyes of those who, without explanation, understand why you do what you do when you do it. There is nothing like not having to decode or apologize for the sweet pleasure of a word or phrase that will not let loose of your ear.”

Nikky Finney, The Ringing Ear: Black Poets Lean South

2015-11-26T15:29:19+00:00

Nikky Finney, The Ringing Ear: Black Poets Lean South

“There is nothing like being seen by the eyes of those who, without explanation, understand why you do what you do when you do it. There is nothing like not having to decode or apologize for the sweet pleasure of a word or phrase that will not let loose of your ear.”

https://cavecanempoets.org/testimonials/nikky-finney-the-ringing-ear-black-poets-lean-south/

“While I can't even begin to measure Cave Canem's value to me personally (community, friendship, rigor), we all can see the radical movement it’s occasioned in American poetry. To be plain: it's changed—and is changing—the face(s) of our literary landscape. How often in our lives will we be able to participate in something as important and beautiful? It's a joy to support this."

Ross Gay, Fellow

2015-11-26T15:44:48+00:00

Ross Gay, Fellow

“While I can't even begin to measure Cave Canem's value to me personally (community, friendship, rigor), we all can see the radical movement it’s occasioned in American poetry. To be plain: it's changed—and is changing—the face(s) of our literary landscape. How often in our lives will we be able to participate in something as important and beautiful? It's a joy to support this."

https://cavecanempoets.org/testimonials/285/

“Cave Canem is a kind of heaven, yes. It’s not just that we are speaking to each other there as black people; it’s that we’ve lived the lives of black poets. We’ve faced the fears, the hurts, and we’re still poets. To undertake and stay with this task, usually so unrewarded, creates a kind of strength and compassion that is enormous.”

Toi Derricotte

2015-11-26T15:31:58+00:00

Toi Derricotte

“Cave Canem is a kind of heaven, yes. It’s not just that we are speaking to each other there as black people; it’s that we’ve lived the lives of black poets. We’ve faced the fears, the hurts, and we’re still poets. To undertake and stay with this task, usually so unrewarded, creates a kind of strength and compassion that is enormous.”

https://cavecanempoets.org/testimonials/toi-derricotte/

“Back in 2000 when I was first accepted at Cave Canem, I was working part-time at a bookstore making less than $7 an hour. The scholarship I received was the only reason I was able to attend, and it changed my writing life by introducing me to mentors like Toi Derricotte and Nikky Finney and eventually connecting me to the editor who published my first book. Please consider changing another poet's life by supporting Cave Canem financially.”

Traci Dant, Fellow

2015-11-26T15:44:16+00:00

Traci Dant, Fellow

“Back in 2000 when I was first accepted at Cave Canem, I was working part-time at a bookstore making less than $7 an hour. The scholarship I received was the only reason I was able to attend, and it changed my writing life by introducing me to mentors like Toi Derricotte and Nikky Finney and eventually connecting me to the editor who published my first book. Please consider changing another poet's life by supporting Cave Canem financially.”

https://cavecanempoets.org/testimonials/284/